is now my primary studio activity. For me, the express quality of ceramics
comes from directly working in clay, drawing in three-dimensions with the
clay. Each stage of the process from forming the wet clay to glazing offers creative challenges.
PAINTING For many years I was
a painter primarily working in true fresco creating wall-hung frescoes as well
as commissioned murals. Fresco, like clay, uses natural earth materials of
lime, sand and earth pigments. I taught
at Skowhegan for a decade and conducted fresco workshops at colleges throughout